Workshop: Performing A.I.: Stage, Sound and Screen
Aberystwyth University Arts Centre, 20th and 21st of December 2022. This will be an in-person event.
A series of workshops will explore how A.I., theatre and performance and ludic technologies can be employed and used as part of creative devising methodologies to develop work for the stage, sound art and screen.
Tuesday 20th of December
Session I: Workshops
09:00-09:15 Coffee and Cookies
09:30-11:00 Performing AI. Using AI tools for playwriting led by Vlad Butucea
11:00-11:30 Coffee Break
11:30-13:00 Sounding AI: Performance, Collaboration and Synthetic voices led by Dr Yaron Shyldkrot
14:00-17:00 Speculative Design & AI for More than Human Futures led by Prof Paul Coulton
Wednesday 21st of December
10:30-13:30 Talks and discussion round table.
Aberystwyth Arts Centre Round Studio (First Floor)
Aberystwyth University, Penglais Campus, Aberystwyth SY23 3DE, UK
Symposium I: Humanist Perspectives
Nottingham University, 9th of April 2021 (the event was held online)
The symposium explored approaches towards a humanistic understanding of the inter-relation between the domains of A.I., theatre and performance and ludic technologies.
Symposium II: Ruptures/Disruptions
Aberystwyth University, 29th of July 2021 (the event was held online)
The symposium will explore how the application of A.I. in theatre and performance and ludic technologies can instantiate ruptures and disruptions to our contemporary cultural context and the everyday. It will also look at ways in which A.I. can be used in staging provocations and provocative design.
The Internet of Guitars - Steve Benford
This was a PETRAS event, chaired by Alan Chamberlain (University of Nottingham) & Dave De Roure (University of Oxford), the PI and CO-I of the EXIoT Project (PETRAS). It brings together the PETRAS, TAS Hub and nTAIL (AHRC) communities. The event is promoted as part of N-STAR, Nottingham Science, Technology, Art Research - in the Faculty of Science UoN, directed by Alan.
Symposium III: Immersion and Embodied Experiences: AI, VR and Inclusive Futures
University of Nottingham, 13th and 14th of June 2022. This will be an in-person event, however, keynotes will be streamed online.
The symposium will explore how A.I., theatre and performance and ludic technologies impact our understanding of immersion and corporeal/embodied experiences in the postdigital age. There will be scope for further exploration of the impact of A.I. development on VR, AR and MR technologies which are opening up new modes of experience and engagement with virtual worlds.
Monday 13th of June
Session I: Keynotes
10:00 – 10:15 Introduction
10:15 – 10:45 Prof. Helen Kennedy: 'I Live Here: Inclusive Technofutures & Virtual Storytelling' (University of Nottingham)
10:45 – 11:15 Jessica Driscoll ‘Accelerating AI in XR: Physical vs Digital and tools to try!’ (Digital Catapult)
11:15 – 11:30 Coffee
11:30 – 12:00 Prof. Paul Coulton: 'Immersion is a mess' (Lancaster University)
12:00 – 12:30 Panel
12:30 – 14:00 Lunch
14:00 – 17:00 Two Parallel Workshop Sessions. Click on the following link for details: Workshops
14:00 – 17:00 Workshop 1: The Sound of AI: Performance, Provenance and Privacy led by Dr. Alan Chamberlain (University of Nottingham) and Prof. Dave De Roure (University of Oxford)
14:00 – 16:00 Workshop 2: A Theatre of Robots: Performing Autonomy
Tuesday 14th of June
10:00-13:00 - In-person workshop with Prof. Paul Coulton 'Crafting Immersion in Experiential futures'. Click on the following link for details: Workshops. Sign up for the workshop here:
The Mixed Reality Lab (1st Floor)
School of Computer Science
University of Nottingham
Workshop 1: The Sound of AI: Performance, Provenance and Privacy
The Mixed Reality Lab, Computer Science, University of Nottingham, Jubilee Campus.
Workshop 2: A Theatre of Robots: Performing Autonomy
Co-Bot Maker Space, Triumph Rd, University of Nottingham, Jubilee Campus.
Vlad Butucea (University of Glasgow, Queen Margaret University)
Vlad Butucea is a Glasgow-based, Romanian-born playwright and screenwriter. Recent credits include the film/ stage hybrid The Strange Case of Dr. Jekyll and Mr. Hyde (National Theatre of Scotland, Selkie Productions, Sky Arts), and Silkworm (Pearlfisher) which won a 2022 Fringe First Award. Vlad is in the final stages of a PhD in Digital Performance at the University of Glasgow, exploring embodied spectatorship in digital performance.
Dr Yaron Shyldkrot (University of Leeds)
Prof Paul Coulton (Lancaster University)
Paul Coulton is Professor of Speculative and Game Design. His research can be considered more generally as Speculative Design. Speculative Design combines real and/or hypothetical extrapolations of the development of emerging technologies with a consideration of the cultural landscape into which they may be deployed. This activity is embodied as ‘research through design’ and, in particular, to the design of speculative physical/digital interactive games, playful experiences, and artifacts. Some of his early research was conducted using a, 'situated' evaluation methodology in that he utilised 'app stores' and social networks as experimental platforms. This element of his work led to international recognition by industry as well as academia in that he was selected as one of 50 most talented mobile developers worldwide from a community of over 2 million to be a founding Nokia Champion and the first academic invited to speak at the Game Developers Conference. Increasingly, his work relates to more-than-human futures using a particular practice of Speculative Design which is Design Fiction as a way of exploring futures for emerging technologies such as the Internet of Things, Machine Learning, Genetic modification etc. Design Fictions are collections of artifacts, that, when viewed together build a fictional world.
Dr Yaron Shyldkrot is a practitioner-researcher and performance maker. He is a lecturer in Scenography and Design-led Performance at the University of Leeds (UK) and his work explores the different relationships between uncertainty and performance; investigating the the blurriness between natural and artificial, relationships with technology and each other, and the edges of sound and vision. Yaron is currently involved in an interdisciplinary research project exploring the virtual performer with colleagues from Robotics, computer science, music and psychology. http://www.yaronshy.com